We're creating a sense of welcome, belonging, and inclusion through art.
So, building on a long tradition, we welcome new audiences to the Presidio through the language of art. A current focus is at Presidio Tunnel Tops, where temporary installations offer visitors new ways to experience and enjoy the park.
The Presidio Public Art Mentorship pilot is an experimental program for emerging and mid-career BIPOC artists to develop temporary public art installations at Presidio Tunnel Tops.
This pilot program is an effort to create a more welcoming and inclusive park through public art. Presidio Activator, Artist, and Activist Favianna Rodriguez serves as a coach to support artists in scaling their ideas to create temporary public art installations that speak to diverse communities.
The three year pilot will sunset at the end of the SUPERBLOOMS exhibition. We look forward to the next expression of art in the park!
SUPERBLOOMS is a large-scale ground mural by Tosha Stimage that champions the resilient histories of Presidio native plants such as: Chilean strawberry, California poppy, and Checkerbloom. It’s the third and final installation of the Ancestral Futurism Public Art Mentorship program with Presidio Activator and Founding Artist Favianna Rodriguez. The mural is located between the Presidio Transit Center and the enclosed Pavilion at Presidio Tunnel Tops.
Tosha Stimage is an Oakland based artist and owner of SAINTFLORA, a full-service floral design shop specializing in unconventional flower experiences. She integrates her expertise in floral art to craft installations that re-contextualize materials and histories with fresh perspectives. “Flowers put us back in the ‘circle’ and connect us to labor, land, and each other,” Tosha shares.
SUPERBLOOMS aims to engage visitors through curiosity and nature, creating an accessible and inclusive dialogue around complex social and environmental topics.
To welcome new communities, in 2022-2023 the Presidio Tunnel Tops opening season featured a temporary outdoor mural installation by Favianna Rodriguez. Favianna was the first artist to be selected as part of the Presidio Public Art Mentorship program, an experimental pilot program for emerging and mid-career BIPOC artists to develop temporary public art installations at Presidio Tunnel Tops.
Ancestral Futurism: Looking Back to Repair the Future honored the diversity and interconnectedness of all humans, land, flora and fauna that have lived in this ecosystem throughout the centuries. It depicted a vision for an interconnected future that begins with examining the colonial and repressive history of the Presidio.
The artistic renderings uplifted the stories, experiences, and images of BIPOC communities with an emphasis on the Ramaytush Ohlone, the original stewards of the land. Abstract symbols reflected plants and creatures that were once abundant in the region. Additionally, the themes of justice, freedom, and belonging are weaved throughout the artwork. Learn more in the Q&A with Artist and Presidio Activator Favianna Rodriguez.
Artist Favianna Rodriguez
Favianna is an interdisciplinary artist, cultural strategist, and social activist who also served as a Presidio Activator for the opening year of Presidio Tunnel Tops. An important goal of the artwork is to spur conversations and ideas about how the Presidio can be repositioned as a place of welcome, inclusion, and belonging for all people and communities. Parts of Ancestral Futurism can still be seen in front of the Presidio Visitor Center. Banners are also on display in the Presidio Plaza and Outpost Plaza welcoming visitors to the ancestral homeland of the Ramaytush Ohlone.
Fine art painter Felicia Gabaldon was selected to be the second of three artists to install artwork at Presidio Tunnel Tops as part of the Presidio Public Art Mentorship program.
In Iconic Visions, Felicia created large-scale ground murals of images of Presidio creatures like coyote, quail, and Monarch butterfly.
Felicia is originally from Santa Fe, New Mexico, and currently resides in Oakland where she’s resident artist at Faultline Artspace. She uses nostalgic illustrations to manifest the natural beauty of the American Southwest while also re-examining it.
Influenced by desert landscapes and drawing from her identity as an American Indian of the Choctaw Tribe with Spanish Heritage, her paintings represent a distant reverence of self-discovery, culture, and history. Her art can be seen in galleries in San Francisco or as far away as the ARTSCAPE SAGA urban art project in Gothenburg, Sweden.
“Moving to the Bay Area was very inspiring in terms of the art landscape in a big city,” Felicia shared. “I started to gather inspiration from this space as well as New Mexico. Finding my voice allowed me to express myself culturally and indigenously. I hope that when people see my art, they also feel welcome to express themselves.”